Aiko was the first face we certified and remains the one we reach for when a brief says 'less'. The bob is cut to the jaw, the skin is matte, and the beauty mark sits exactly where it sat on the first reference frame.

She reads minimal without reading cold. Put her in black tailoring and she becomes architecture; put her in ivory knit by a paper screen and the frame goes quiet.

Aiko books for editorial, quiet luxury and minimalist campaigns, and is the reference against which every later talent's consistency is judged.

She arrived in July with nine reference frames and one rule we have never broken — the white is hers, not the light's. Every frame since has been checked against that chain, from the low knot to the faint rose of a mouth that only smiles when the brief asks it to.

On set she is unhurried. High jewellery reads louder against her than against any canvas we own; a single pearl drop at her ear stops being an accessory and becomes architecture.

Editors call it monochrome beauty. We call it restraint with a pulse. Milena books for high jewellery, quiet-luxury ready-to-wear and campaign beauty.

Miranda is our off-duty runway: the model between shows, coffee in hand, coat over the shoulder. Her archetype is quiet luxury in Los Angeles light — linen, suede, denim worn soft.

The face holds through motion as well as stills; her identity was verified across a full head-turn in video before she joined the board.

She books for ready-to-wear, denim, eyewear, sun care and any campaign that needs warmth without a single loud signal.

Livia was built for the houses that never print a logo. Her palette is oxblood, chocolate and cream; her register is the dinner that runs past midnight and the walk home along the lake.

She is equally at ease in beauty close-up — gold at the ear, skin left honest — and in long tailored coats moving through old Italian light.

Livia books for leather goods, fine jewellery, fragrance and editorial beauty.

Sienna was built for range. Her book runs from beauty close-ups and lingerie to resort editorial and evening wear, and she holds the same face through all of it.

Gold is her metal and the Riviera is her light: a collar at the throat, a terrace above the sea, a hotel bar at the hour the candles get lit.

She books for beauty, fashion, swim, jewellery and luxury lifestyle campaigns.

Elias is Scandinavian minimalism in a human form: grey wool, cream knit, concrete and fjord. The white of his hair and lashes is part of his identity lock and is never warmed in grading.

He works in architecture as naturally as in landscape — a brutalist stair, a cold shore — and his stillness makes tailoring read more expensive.

Elias books for luxury menswear, outerwear, eyewear and architectural editorial.

Amara's features read at distance — the reason she was cast for runway first. Up close, gold at the ear and collarbone does the rest.

Her range spans clay-court whites and velvet after dark, and she carries movement as well as she holds stillness.

Amara books for high fashion, luxury campaigns, runway and fine jewellery.

Maren was cast for natural beauty: freckles left visible, a single mark on the cheek, hair that has seen salt water. Her expression range is the widest on the board, from the open laugh to the stillness of a cover.

She moves between island light and city night without losing the ease that makes her bookable for swim and sportswear.

Maren books for resort and swim, sportswear, natural beauty and travel campaigns.